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The Euphoria star talks her role as Maddy Perez in the Autumn 19 issue.

Taken from the Pre-winter 19 issue of Wonderland. Request your duplicate of the issue now.

Supporter Holy person of young ladies who like their acrylics long and their eyeliner flicked with savagery, Alexa Demie turned into a style symbol short-term with her job as Maddy Perez in Rapture. Swaggering the line among powerless and distant, her depiction was enthralling. Rosie Byers meets the entertainer who's resolved to do everything.

We've all observed the images: "Maddy Perez spared blistering young lady summer". For the individuals who viewed HBO's abrasive teenager show Rapture, you definitely know. Furthermore, to any individual who hasn't been sucked into the exciting hurricane of the show, where have you been living for as long as a quarter of a year?


Arriving in June, Elation thought outside the box for Television programs set around the American secondary school understanding. While we may think back with rose-colored wistfulness at the spectacular neighborhoods of 90210 and The O.C., or the late-'00s style march that was Tattle Young lady, all were certainly tormented by one dimensional characters, white-washed throwing and exceptionally unreasonable unexpected developments (xoxo, Dan Humphrey).

Long late, Rapture showed up supporting inclusivity that didn't feel constrained. Investigating everything from dependence and emotional wellness to sexuality and self-perception, the show mapped out a radiantly muddled picture of high school hood and closeness in the time of online networking, portraying injury, wavering companionships and first loves with delicacy and mindfulness. Also, — in case we overlook — with an ensemble closet slipped from paradise. Back to Maddy Perez.


A guaranteed terrible bitch, Maddy serves '90s-enlivened coordinating co-ords on pivot, with unrestrained coordinating eye cosmetics complete with chains, sparkle flicks and diamante diamonds – the sort of looks that ruin exes' lives, and guarantee "sweltering young lady summer" images forever. For entertainer Alexa Demie, curating her tasteful was a fantasy job in itself.


"It was amazing, in light of the fact that it was such a shared encounter. I got the chance to get like, the entirety of my state of mind sheets," the 24-year-old lets me know from her home in Los Angeles, rolling out character references going from old photographs of Nina Simone to pretentious 1995 film Showgirls and Sharon Stone's Ginger in Scorsese's Gambling club. Growing up, she'd go through hours poring over the design magazines her cosmetics craftsman mum kept "truly flooding" each room of their home, and right now, Demie's preparing searches for up and coming film celebrations and debuts. "Gracious definitely," she deadpans, her East Hollywood pronunciation particularly low and smooth in tone: "I style myself."


Brought up in LA's Atwater Town, Demie grew up inundated in the extravagant nightlife of the city, taking transport transports to manors in the slopes equipped with a bunch of companions and a phony ID. It's a world she appears to be now acclimatized to and totally undaunted by, taking note of that, as an "extremely attentive individual," she's seen individuals winding into wild ways of life maintained by void companionships, vowing to never pander to either herself. Talking on her vocation up until this point, it's unmistakable she works with a steely concentration and presence of mind: Alexa Demie was continually going act, sing and structure – "no" wasn't a choice, yet nor was trading off her own vision for a fake five minutes of notoriety.


"Goodness my God – the direct inverse," she focuses, when I inquire as to whether her own young experience took after that of young lady posse instigator Maddy. "It's clever, on the grounds that I think everybody accept that I was a team promoter or spent time with football players… I was a serious introvert and experienced a great deal of difficulty with young ladies. I was harassed likely from grade school all through secondary school; at times I'd leave right on time to maintain a strategic distance from specific circumstances. I was in the performing expressions program in senior year and I just had a couple of classes, so I'd go straight home and work on my shades."